Coens country is usually pretty dark territory, and True Grit is no exception to that. Visually striking (it shares a cinematic relationship with There Will Be Blood, the film that was controversially beaten to the top prize by No Country for Old Men) Roger Deakins [...]
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Why is it that 3D and basic storytelling seem to be such uncomfortable bed fellows? The reasons aren’t obvious: other than having more things falling and flying, 3D shouldn’t affect the way that films are made. And yet it seems that it does, with TRON: [...]